Get Free Ebook Heroes, Lovers, and Others: The Story of Latinos in HollywoodBy Clara Rodriguez

Get Free Ebook Heroes, Lovers, and Others: The Story of Latinos in HollywoodBy Clara Rodriguez

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Heroes, Lovers, and Others: The Story of Latinos in HollywoodBy Clara Rodriguez

Get Free Ebook Heroes, Lovers, and Others: The Story of Latinos in HollywoodBy Clara Rodriguez

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Heroes, Lovers, and Others tells the fascinating history of Latino actors in American film from the silent era to today. Rodriguez examines such Latino legends as Desi Arnaz, Dolores del Rio, Rita Hayworth, Raquel Welch, Anthony Quinn, Selma Hayek, and Antonio Banderas. More than just a collection of celebrity stories, the book explores the attitudes, cultural conditions, and assumptions that influenced the portrayal of Latinos in film as well as their reception by the public. Heroes, Lovers, and Others is a comprehensive volume packed with carefully researched information and analysis for both students and cinema enthusiasts alike.

• Sales Rank: #819261 in Books
• Published on: 2008-02-01
• Original language: English
• Number of items: 1
• Dimensions: 5.50" h x .60" w x 8.20" l, .78 pounds
• Binding: Paperback
• 272 pages

From Publishers Weekly
Rodríguez’s cultural and ethnic history traces the work of Latino actors in American film from the silent era to today. Although the Fordham University professor’s specialty is sociology and her research is compiled from clip files and an assortment of secondary sources, her smooth writing and passion for the topic make this a worthy introduction to Latino film studies. Rodríguez breaks her study into five periods, showing how political and social conditions shaped the way Latinos were received in Hollywood and depicted onscreen. Interestingly, the past seems to be repeating itself. In the silent film and early talkie days, like in today’s "postmodern" era, Latinos were much in demand and often cast in a variety of roles regardless of their ethnicity. But in between there were many lean years, marked by invisibility and stereotyping. In the "good neighbor" era of the 1940s, lighthearted and musical Latinos such as Cesar Romero and Carmen Miranda dominated. In the Cold War era of the ’50s, despite movies such as West Side Story and Giant, Latinos were largely invisible, and the Hispanic backgrounds of Latin stars like Anthony Quinn and Raquel Welch weren’t usually recognized. The ’60s and ’70s saw an "era of contestation," she writes, in which Hollywood movies cast Latinos largely as criminals, prostitutes or welfare cases, although comedians like Cheech Marin and Charo also emerged, and other Latinos began making their own films. Rodríguez also recognizes the impact of gender and class issues and includes plenty of bios of Latino actors, from Dolores Del Rio and Jose Ferrer to Jennifer Lopez and Benecio Del Toro. But a little less factual data and a little more analysis of films featuring Latino characters would have strengthened her otherwise engaging book. 57 b&w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
"When Hollywood films are discussed in print," says Rodriguez, "a certain journalistic and academic amnesia sets in about the role of Latinos in the history of Hollywood." Determined to redress this lapse, she offers, rather than a survey of stars, a social history of Latinos in Hollywood. At first, many Latino actors used their real names; softening one's ethnicity came later. Some stars, striving to appear more exotic, aspired to a more Latino identity. Joan Crawford, for instance, was described in 1928 as "more Spanish than the Spaniards themselves" in a Photoplay photo of her in Spanish-themed attire. Despite^B emphasizing the aspects of Latino participation in Hollywood society, Rodriguez still succinctly describes many stars: Dolores Del Rio "was internationally exotic," Lupe Velez "was decidedly ethnic and sexualized," and so forth. Comprehensive up through Penelope Cruz and Antonio Banderas, not to mention cultural icon Cheech Marin, her handy compendium leans a bit toward the academic in places but remains a very readable resource on Latino influence and presence in Hollywood and pop culture generally. Mike Tribby
Copyright © American Library Association. All rights reserved

Review
"Rodriguez's cultural and ethnic history traces the work of Latino actors in American film from the silent era to today. Although the Fordham University professor's specialty is sociology and her research is compiled from clip files and an assortment of secondary sources, her smooth writing and
passion for the topic make this a worthy introduction to Latino film studies."-- Publishers Weekly
"'When Hollywood films are discussed in print, ' says Rodriguez, 'a certain journalistic and academic amnesia sets in about the role of Latinos in the history of Hollywood.' Determined to redress this lapse, she offers, rather than a survey of stars, a social history of Latinos in Hollywood
Comprehensive up through Penelope Cruz and Antonio Banderas, not to mention cultural icon Cheech Marin, her handy compendium leans a bit toward the academic in places but remains a very readable resource on Latino influence and presence in Hollywood and pop culture generally."--Mike Tribby, Booklist


"Rodriguez's cultural and ethnic history traces the work of Latino actors in American film from the silent era to today. Although the Fordham University professor's specialty is sociology and her research is compiled from clip files and an assortment of secondary sources, her smooth writing and passion for the topic make this a worthy introduction to Latino film studies."-- Publishers Weekly
"'When Hollywood films are discussed in print, ' says Rodriguez, 'a certain journalistic and academic amnesia sets in about the role of Latinos in the history of Hollywood.' Determined to redress this lapse, she offers, rather than a survey of stars, a social history of Latinos in Hollywood Comprehensive up through Penelope Cruz and Antonio Banderas, not to mention cultural icon Cheech Marin, her handy compendium leans a bit toward the academic in places but remains a very readable resource on Latino influence and presence in Hollywood and pop culture generally."--Mike Tribby, Booklist



"Rodriguez's cultural and ethnic history traces the work of Latino actors in American film from the silent era to today. Although the Fordham University professor's specialty is sociology and her research is compiled from clip files and an assortment of secondary sources, her smooth writing and passion for the topic make this a worthy introduction to Latino film studies."-- Publishers Weekly

"'When Hollywood films are discussed in print, ' says Rodriguez, 'a certain journalistic and academic amnesia sets in about the role of Latinos in the history of Hollywood.' Determined to redress this lapse, she offers, rather than a survey of stars, a social history of Latinos in Hollywood. Comprehensive up through Penelope Cruz and Antonio Banderas, not to mention cultural icon Cheech Marin, her handy compendium leans a bit toward the academic in places but remains a very readable resource on Latino influence and presence in Hollywood and pop culture generally."--Mike Tribby, Booklist

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